1797-1856 French Paul Delaroche Locations Painter and sculptor, son of Gregoire-Hippolyte Delaroche. Though he was offered a post in the Bibliotheque Nationale by his uncle, Adrien-Jacques Joly, he was determined to become an artist. As his brother Jules-Hippolyte was then studying history painting with David, his father decided that Paul should take up landscape painting, and in 1816 he entered the Ecole des Beaux-Arts to study under Louis-Etienne Watelet (1780-1866). Having competed unsuccessfully for the Prix de Rome for landscape painting, he left Watelet studio in 1817 and worked for a time with Constant-Joseph Desbordes (1761-1827). In 1818 he entered the studio of Antoine-Jean Gros, where his fellow pupils included Richard Parkes Bonington, Eugene Lami and Camille Roqueplan.  Related Paintings of Paul Delaroche :. | Bonaparte franchissant les Alpes | Children of King Eduard IV By Paul Delaroche | Young Christian Martyr | Pourtales dans son hotel dun | Joan of Arc is interrogated by The Cardinal of Winchester in her prison. |
Related Artists:
Herman af Sillen
painted Svenskt orlogsfartyg in 1901
Ludolf de Jongh
1616-1679 Dutch Ludolf de Jongh Galleries Dutch painter. He was one of the most versatile Dutch painters of the 17th century, producing portraits, genre paintings of both domestic scenes and soldier life, landscapes with hunting scenes and a few historical subjects. According to Houbraken, he studied with Cornelis Saftleven in Rotterdam, Anthonie Palamedesz. in Delft, and Jan van Bijlert in Utrecht. In 1635 he went to France, where he stayed for seven years. His earliest known paintings are portraits and genre subjects that date from after his return to Rotterdam in about 1642 and strongly reflect the style of Palamedesz.'s work. The genre subjects and numerous hunting scenes (e.g. Riders before an Inn; Geneva, Mus. A. & Hist.) painted shortly before the 1650s show the influence of van Bijlert and other Utrecht painters, especially Jacob Duck and Dirck Stoop.
Edouard Castres
Swiss 1838 - 1902 Swiss painter. His father was a clock engraver, and he initially trained as an enamellist. He took drawing lessons from Barthelemy Menn and attended the Ecole des Beaux-Arts in Paris from 1859. He soon decided to concentrate on oil painting. He was assistant to the genre and figure painter Eduardo Zamacois y Zabala (1842-71). In the Franco-Prussian War he joined the Red Cross, moving into Switzerland at the beginning of February 1871 with the army led by Gen. Bourbaki. He painted military scenes from sketches carried out on the battlefield and received consistently good reviews, which also brought financial success. He was commissioned by a Belgian panorama company to record the entry of the French army into Switzerland, which he had witnessed in 1871. He spent the winter of 1876-7 on site at Les Verrieres, painting preparatory studies, and in 1881 he completed the panorama, Gen. Bourbaki's Army Retreating into Switzerland (Lucerne, Panorama). He was aided by nine assistants, recruited from among Menn's pupils, who included Ferdinand Hodler. The work was exhibited in Geneva and was brought to a rotunda in Lucerne in 1889. Among panorama paintings it is a work of a high order: despite the colossal dimensions and the barely comprehensible mass of people depicted, the dominant impression is of individual suffering.